Bharatanatyam is a South Indian classical dance form that is several centuries old.  It has been kept alive through the centuries by performances that were held within Hindu temples and courtyards.  Today, it is the most popular classical dance form in India and is being kept alive in the United States of America by dancers who have immigrated here.   The dance form has two important segments: rhythmic and thematic.  The rhythmic segments involve complicated mathematical patterns where the hands, feet and body are used to keep perfect rhythm.  The thematic segments involve storytelling where facial emotions convey the evocative Indian technique of storytelling.     


              '
Jaya sudha purivaasaa  
               Jaya maha gnana sabesa…' So start the lyrics of a song sung as an invocation before every performance of the Vazhuvoor style of Bharatanatyam.  Vazhuvoor is the name of a town in the district of Thanjavur in Tamil Nadu, India.  From this town, Ramaiah Pillai moved to Madras to popularize the art form of Bharatanatyam.  So many of his disciples became famous that the style taught by him was named after the little town that he came from.  Graceful technique and subtlety in facial expressions characterize the style.  A number of statuesque poses are used as part of the choreography. 


Guru Brahma Guru Vishnu: Guru Devo Maheshwaraha:
Guru Saakshaath Para Brahma Thasmai Sri Guruvey Namaha:
"The Guru is Brahma, the creator, Vishnu, the preserver, and Lord Shiva, the destroyer.
The Guru is the supreme being. Salutations to that Guru."
   

was among a handful of direct disciples of Guru Ramaiah Pillai.

In his lifetime, he was regarded as the premier Guru who established and grew the Vazhuvoor style of dancing like no other.  'Sruti' magazine chose him to be one among two presenters about the Vazhuvoor style and its technique in its seminar on 'Bharatanatyam styles' held in 1990.  Hallmarks of his teaching included an emphasis on classicism in technique and subtlety in expression.  He had a deep knowledge of Carnatic music and provided vocal accompaniment for his students, a rare achievement within the field of dancing.  He was very well known for his expert voice modulation during jathi rendition.  He passed away in 1994, barely two weeks after completing a successful US tour with four of his senior disciples.  Nirupama Vaidhyanathan toured the US with Guru Rajarathnam in 1994, and had the good fortune of working closely with him from an early age until his untimely demise that year.   

 

She learnt Bharatanatyam from renowned teachers in India,    and performed actively in her teenage years. After a career break, she reentered the field as a teacher of abhinaya.  Her unique approach to abhinaya emphasizes a full understanding of the lyrics, the mood, and the intentions of the poet while interpreting poetry as a dancer.  

She established 'Abhinayasudha', a school of dance that emphasized training in all aspects of the dance form including theory.  The Government of India awarded her the prestigious Padma Bhushan title for her innovations in teaching abhinaya

is the Chief Instructor of Nattuvangam or the art of conducting a dance recital in one of India’s premier dance schools – Kalakshetra.  She was personally groomed by Rukmani Devi Arundale to be the chief nattuvanar at Kalakshetra, and was considered by many to be an expert in voice modulation and in training other women nattuvanars.  

 

 

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